Malcolm Le Grice Movies

Self Portrait looks for an approach to a specific relationship between the duration of a work and material conditions in the projection as did...

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own...

This multi-image work is based on Le Grice's longer, color-field film-loop installation Joseph’s Coat (1973).

Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates...

Osama Bin Laden – Britain and the USA in Iraq as through television reportage – camera only inches from the screen

First titled Jazz Punk, this work is based on a series of drawings I made over a number of years of heads inspired in part by punk styles. These were...

Directed by Malcolm le Grice.

As the title indicates this is a deliberately academic work, conceived in much the same way that a composer might make a 'study'. It is not about a...

An allegory for the passage from being alive to being dead. The cyclops is the one-eyed father - the one-eyed king in the land of the blind - the...

A white screen marked only by a scratch running across clear celluloid activates an intense perception of projection time. A double-projection work.

When I reviewed the video material it reminded me of a theatre performance which I recalled as “A Lecture to an Academy”, given by Tutte...

Film shadow performance. "First presented in 1971 using three 16mm projectors each with a short loop of changing colour. Projected onto the same...

A one-off performance, never repeated but led to Horror Film 1.

Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their...

A re-worked version of Your Lips 1 with multiple colour superimpositions. Originally shown with a soundtrack from computer artist Alan Sutcliffe but...

The first of these is the simple domestic task of washing dishes, and the second is the aesthetic task of filming the first task. I, the filmmaker,...

A nostalgic exploration, comprising fragments of reworked 9.5mm home movie footage. The deterioration of the original film, like memories,...

Digital Still Life was originally made for projection directly from an Atari computer. The same computer programme defines the image sequence, the...

Four simple changing colour loops are projected continuously into the corners of a gallery space - a form of site specific film sculpture. film-loop...

This film is the beginning of an examination of the perceptual and conceptual structures which can be dealt with using pure colour sequences in loop...